Friday, September 18, 2009
Welcome to the World, Bryce
Sunday, September 13, 2009
The Trojan Skirmish
The Gators margin of victory (we were #1 last week) fell to 7th highest, but was second only to BYU for teams playing BCS (formerly known as Division 1) teams. It appears I was mistaken when I said UF had the highest margin of victory last week--that honor (?) went to Air Force with a 72 point win over an FCS (formerly known as Division 2) team, and the winner over non-FCS teams in point spread was.... Tennessee. But c'mon . . . Western Kentucky? Division 1 by lack of quality control more than anything. Oh, well, wait 'til next week!
Now that the offense took off the handcuffs, Tim got to showcase his more customary game and made a strong argument that as Tim goes, so go the Gators. Four (or five) touchdown passes, one running TD. He could have had another easy one, but gave it to Rainey--what a leader! If the idiotic Heisman voters who put TT 3rd on their ballots had to judge the candidates by only what they did in the first half, he would have won it going away. If Tim stayed in the whole game, or even through 3 quarters, he would have rewritten all the record books already. His stats would be eye-popping. But Johnny B needs the playing time for next year, and the only numbers that really count are the final score in the national championship game.
Another great effort by the defense to keep the Trojans from scoring (well, that almost rises to the level of a joke). We can give up field goals all day long, but I wonder how many games into the season we'll go before the opps score a touchdown. A long way, we hope. It would be more than could be reasonably expected for to shut out the Vols. But it would be G-R-E-A-T.
Stars of the game:

Tebow (of course)

Rainey (some nifty running)

Brandon James caught a touchdown

Moody got some game time (and didn't fumble)

Cooper (I have to say he is winning my admiration, grudgingly after last year)
And, of course, the D. Still no touchdowns against any squad.



Let's all hope for a fantastic game next week . . . 63 to 0 would be about right. Just enough.
Oh, yeah. . . almost forgot. The Bumper Sticker of the Week is:
I never thought I would miss Nixon.
Sunday, September 6, 2009
The Season Begins!
Well, actually, the preseason. The real football begins September 19th when the UT assholes come to town. That will be a good game. Meanwhile, Charleston Southern is the lamb of the moment. I hear a lot of crap about the quality of this opponent, but I also heard a rumor that the original victim was to be UCF, who bailed. When you have to find a date to the big dance at the last minute, you gotta take what you can get. Kinda like Orange and Blue, Part Deux. Except to get to hit other people besides your teammates.There was also a piece on ESPN interviewing the coach of the Buccaneers, and it appeared that
they were extremely grateful to be able to play Florida. Half their team was from Florida and the opportunity to play in front of friends and family--not to menition 90,000+ screaming folks--was a tremendous windfall for them. The money didn't hurt either, but the coach made a good argument that the money didn't make the deal. I don't recall when I've ever seen any team rated as a 73 point underdog. Yikes! This was the first time since Ole Miss last year that the Gators didn't cover the spread. But why would they? If they had played their best brand of football, even with the second stringers, they could have hung 100 on that team. Seems that wouldn't have been the kindliest (or smartest) thing to do, so the Gators played the entire game with about 3 sets on offense and 3 on defense. No stunts, not much in the way of blitzes, if any. Meyer described it as "painfully vanilla." Maybe that will teach the oddsmakers a lesson.
Though the Gators looked a tad rusty at first, they had some super plays from all 3 squads (1st, 2nd, and 3rd strings--maybe even 4th). Call it a mercy killing.

Demps was outstanding, as usual, and it's fun to watch him burst out and blow by everybody.
Rainey--1 carry for 76 yards!--was phenomenal. Hard to believe that defensive back almost caught him.
And the Gatornaughts were supreme (again).

.... and Timmy, well, he was typically Timmy.
Keeping alive the streak of 29 consecutive games with a touchdown pass--the next closest quarterback has 18! And Tim only plays the first two quarters...can you imagine his stats if he played the entire game each week?
As he creeps up on the seemingly unreachable record by the great Herschel Walker of 49 rushing touchdowns, we might see more short yardage runs near the goal line by Tim Terrific.
One of his favorite targets? Aaron Hernandez, the best tight end in college football. Critical catches, TD running over people...what a football player.The defense played well under the restrictions they had, and the third string (or 4th?) managed a goal line stand to preserve the touchdown shutout. It's hard to prevent field goals nowadays, but it's a matter of honor to keep the other team out of the end zone. It was tight in the closing minutes, but you know the rest of the defense appreciated it.

And so, having vanquished the less than mighty Charleston Southern Buccaneers, we have the first one in the books for 2009. GO GATORS!!!!!!!
Saturday, August 15, 2009
Nintendo Rules!
As if that weren't enough, several weeks ago I broke down and got a new DS game called N+. It was known as N when I found it on albinoblacksheep.com, a well known game freeware site. Those initials stand for Ninja, which is what your stick figure character is supposed to be in the game. He (though no reason it couldn't be a she--impossible to tell from the graphics) jumps, runs, climbs and frequently gets blown to bits by booby traps or long falls from the top of the screen (also known as deceleration trauma). There are hundreds of levels to run through, many of which are maddeningly difficult. I am currently stuck on one that I fear is impossible, at least for someone of my advanced age and impaired dexterity. But the game can fairly be rated "A" for addictive. Here is a sample of some levels to be clambered around in:
Saturday, August 8, 2009
It's the BIG one!
Wednesday, August 5, 2009
Movies: blogged the best, this is the rest

War, Inc. This was touted as a sequel to the very well done Gross Pointe Blank, in which John Cusack was an angst-ridden hit man hot for Minnie Driver. I'm sorry John needs the money so badly that he did this atrocity. Maybe we should take up a collection. Aside from sleepwalking through it, he didn't have much to work with. Without redeeming value of any kind.
Tropic Thunder. This is a tough one to pan, because it had its moments. (Best Line candidate: "What do you mean, you people?") Downey was really a hoot in this as an Australian actor playing a black soldier and Stiller was, well, himself. But worse, if that's possible. Extreme silliness, but when I see it on the program menu, I try to catch that line.
Transporter 3. We search for an answer to the age-old question of "when does a franchise run out of steam?" For this particular series it was after the second one (some would say the first one, but hey, benefit of the doubt--and that combination of garters and machine guns...). I like Jason, and this is a highly flexible concept, but the think tank for this one is decidedly empty. Avoid.
Indiana Jones and the Something of Something. Sad, sad, sad. Just looking at Harrison in this one I aged 10 years. Reminds me of Brett Favre. Harrison... no, don't put the hat on again...please... let us keep our illusions and memories. Having said that, I suspected as much before I got this one. Watching it was more about closure than enjoyment. It was a tolerable story, but little really new. Maybe the idea is to restart the franchise with Shia as the new hero. Won't be the same, will it, Roger?
Quantum of Solace. Speaking of which, I think the reviews on this one were right on. Just a pale sequel to the pretty good Casino Royale. An adventure with no substance to speak of. In fact, I can't remember a single thing about the story, plot, characters, etc. But, it's James Bond, for heaven's sake--what do you expect? Sorry, Danny, you're still not doing it for me. If only you'd dye your hair black...at least you're not the pussy that Brosnan and Moore were. God, if only Clive Owen would take it on....
Brideshead Revisited. Don't go there, even once. If I were a member of the British aristocracy, I would sue.
Australia. Falls in the category of listen to your family. Laura saw this and had a rant about how bad it was. But it was in Redbox, how bad could it be for $1? it was worse. Aha, it dawns on me, it isn't the money, it's the time wasted in front of it. (We even FF'd it and it was dreadful.) In fairness, it did take me back to my youth when they made silly bad movies with John Wayne and Maureen O'Hara in front of painted scenery with one or two cows. Wait, maybe this was an homage to those days.... If so, I'm glad they're gone. (And Marion is rolling over in his grave.)Friday, July 31, 2009
Movies, Movies, Movies
X-Men: Wolverine Origins. I tend to follow movies pretty linearly, so if the director is trying to make sense, I can usually keep up. Sadly, if Gavin Hood thought he was making sense, he should give up whatever mind-altering substance that allowed him to entertain that idea. Don’t get me wrong—criticizing the plot, the pace, and the internal coherency of the film doesn’t mean I didn’t like it. I didn’t love it, but it had enough special effects (do they still call it that now, since every movie that isn’t a chick flick seems to have them—why are they still special?) to satisfy the testosterone driven side of my brain. But it wasn’t art.
Star Trek. Unlike Wolverine, this was a good movie standing alone. The franchise had been laid pretty low by the Lawrence Luckinbill fiasco (Star Trek V in 1989), followed by the dead cat bounce of ST VI. Of course, we can’t count anything that has old baldy in it as being “true” Star Trek—that is just for the latecomers who are merely posers in the ST world. The universe that is (was) Star Trek needed a lift, a new direction. And with Mr. J. J. Abrams it got just that. You might remember JJ from his various hit TV series, specifically Felicity (forgettable), Alias (unforgettable), and the TV old cult and new quirk shows, Lost and Fringe. He used the same team as for this movie in resurrecting the Mission Impossible franchise (M:I 3 in 2006) after it went into cardiac arrest following a too large dose of Thandie Newton. The good news is JJ has new flicks for both series coming out in 2011. But I digress....
The plot is a tad hard to follow but only where the time warp thing intersects with it; temporarily suspending mental discomfort is rewarded in the end as Eric Bana—far too villainous to be a simple mining ship captain—explains it all in the end. The effects are, of course, excellent. I can’t wait to get this on BluRay on my big TV. But the strength of the movie is in the personality development (including the offhanded introduction) of the regulars in their younger versions. Chris Pine was an excellent choice for Kirk, and Spock and Scotty were also good selections (but not as good). He more than anyone, though to a great extent all the main characters, had a sense of the mannerisms, inflection, and personalities of their older alter egos. There were times I could actually see Shatner on screen as young Kirk moved or spoke. Spooky. (or is that Spocky?)
I recommend the movie highly, as you may have guessed. If I had quibbles (vs. tribbles) it would be that an old wrinkled Nimoy got way too much screen time—maybe they needed to wring out every last dollar they paid him to come back—and the relationship between young Spock and Uhuru was completely fabricated and added nothing but static to the story. But those complaints are swallowed up by the overall beauty of the film as a whole. Go, see, enjoy.
P. P. S. The similarity of one plot contrivance with one of JJ's TV series was pointed out to me (I had been only subconsciously aware of it, if at all). We should look to make sure none of the starships in the movie were named USS Rambaldi. (thank you, Andrea)
Wall-E. How did this piece of crap get so much hype? OK, Best Animation, I can give you that (though that should be a technological award, it sure didn't deserve it for story--that should go to Bolt, see below). I saw a lot of previews of Wall-E rolling around on earth, gathering and crushing stuff, but the setup for that was nonexistent. The actual movie, however, is about 20% on earth and 80% rolling around on a spaceship full of fat cartoon people. The only thing more disgusting than cartoon characters who are morbidly obese is real people who are morbidly obese. Ugh! Bad plot, uninteresting characters, and tragic overhype. But the animation was good.
RocknRolla. As a Guy Ritchie fan—I watch LSATSB and Snatch whenever I channel surf by them—I was disappointed by this one. It just wasn’t good. And it didn’t have the fully intertwined plot that GR is known for. I was hoping it would redeem him from his bizarre and mind warping previous offering of Revolver, with his old standby Jason Statham (after that one, I’m not surprised Jason wasn’t in this flick, but I hope Gerard Butler’s career can survive it).

The Reader. Ah, the Academy. They finally got one right. An excellent, though sometimes depressing, film. You wouldn’t think movies about the Holocaust would still be made in
was pretty good (even though French). The mouse was so cute, the story sounded like a heartwarming underdog tale...in short it had all the elements for a good marketing campaign. Inane, predictable, and way too long. Not even sure kids would like it, though the artwork might hold their interest.

Sukiyaki Western Django. Wow, this one looked like it had it all--Tarrantino, Kung Fu with a Western theme, hot Asian chicks...what more could you ask for? How about a clue.... It earned its way into my top 25 worst movies of all time. Rated R? That was for Run...away from this movie immediately. Should have been X, for Xtremely awful. Nuff said.
Bolt. A surprisingly entertaining piece of work. We rented it with young ones, and I suspect I enjoyed it as much as they did. My expectations were low and, of course, Travolta’s voice was seriously off-putting. Tuning that out, the movie had well developed, likable characters, an excellent plot (dog trying to get home from far away—how many times has that worked?), and the details integrated nicely. Clever twists, witty repartee, character growth, and 2 hanky ending made it special in the vapid, sugary wasteland that is most cartoons. I recommend it, even if you have to wait until the kids are around so no one will catch you watching it by yourself. Unless you can get Toy Story 2, which has all of these characteristics AND the funniest ending I have ever seen for a cartoon--outtakes. What a concept.
Wanted. This one was a mixed bag. I was really, really looking forward to it. It had Angelina (that would be enough usually) and, for you girls, James McAvoy (Last King of Scotland), and was about a society of assassins. What’s not to like? I wonder if I wasn’t a ninja in a previous life, because I eat that stuff up. Ah, well. The promos for this movie were stunning...I was salivating before I could get it out of the box. And on balance, I thought it was very good—a bit farfetched and silly in quite a few places, but it kept moving apace—but I doubt it could ever have lived up to the expectations generated for it. It has some violence (hey, we all know that’s simulated…not as if it’s a torture flick like Saw) and you have to suspend disbelief pretty sternly, but it’s definitely worth watching if you like that kind of stuff. A chick flick it isn’t, even with Jimmy’s charm.
Burn After Reading. This is one of those movies that Grossi would have called “cute.” It was certainly silly, but that’s how the Coen Brothers must have conceived it. Brad Pitt does an excellent job portraying a dim-witted gym rat (though because it’s him, you know he’s just acting—the curse of the supercelebrity) and Frances McDormand is equally good as a loony, scheming co-worker. Malkovich and Clooney add to the insanity, though they are pretty much over-the-top most of the film (esp. George). The best of the bunch, in his typically understated way, is Richard Jenkins (the dead father of Six Feet Under). If you’re in the mood for a silly flick with some top stars having fun with each other, pop some corn and sit back.
Body of Lies. Very interesting film. I think this is the best work Leo has done since Blood Diamond. And Russell Crowe is excellent as well—I actually bought into his southern accent and sleazy persona. The two work well together so the dialogue was a treat. What is the most intriguing part of this movie is how it got made. I suspect the funding came from moderate elements in the
It was the name of the town--go figure. Still, it was a modern rendering of an oldstyle western, more authentic than either of the syrupy Wyatt Earp movies in the early 90's. It's sad that Westerns don't often live up to what they used to be; in fact, people say Unforgiven was the last best western. It’s a special category for sure, and one that is frequently exploited to bad ends. (See discussion of Sukiyaki WD above.) In the 50's and 60's the Western mythos represented the last great sense of adventure and independence. We had won the Great War, muddled through a smaller one, just getting into another one, and were adrift over our place in the world, uncertain what it was all about (Alfie). All that got lost in the pre- and post-Woodstock era, and it's no coincidence that the last best Western was released in 1992, as we were careening to the left towards dependency and government control instead of independence and self-reliance. But...I digress. There are some unsatisfying parts of this film that roll around in my head, but I can't verbalize what they are. Maybe that's what it was really like after all--just life.
Whew, that's about it for today. I have some mediocre ones left and some real stinkers. Stay tuned... til next time.
Adjure obfuscation.
Thursday, June 18, 2009
World of Goo...Beware all ye....

Big mistake (sort of)....
One of the reasons I don't have a PS3 is that I can't be trusted to not play it 24/7. The Nintendo DS is merely an aperitif for my addiction, and can be excused on the grounds it exercises the brain. [The brain really isn't a muscle, so those "exercise" metaphors don't quite get there, but such repetition and recollection do manage to dig grooves into the mushy stuff, so it functions much the same.] The Wii....that was a stretch in my conviction. But, hey, it wasn't like it was a REAL video game, now. Just a silly looking thing, another form of exercise really. And the tennis and baseball did actually leave us with sore muscles for a while. But then came the lager and stout of Lego Star Wars and Wii Ski...the latter more justifiable than the former. I told myself it was just the best games I was interested in, and ones that gave back at the same time were that much better. But now I've hit the bottle big time with this little gem. Fortunately it is a short game--unlike the Star Wars behemoth--and it will be done soon. I concur with all the good things said about this game, and will recommend it highly for anyone already addicted.
You go, goo....
Sunday, May 17, 2009
Next Snow Event

Here is Valle Nevado...awesome... The landscape is described as "lunar."

This is Portillo, a famous area down there

And Termas de Chillan...what's not to like about this?
Notice the fruit....
The down side popped up looking at flights to Santiago. About $800 from Tampa (going through Atlanta) and a 12 hour trip... and that's the good one. Haven't ruled it out yet, but am reeling, and may fall back to a possible Tampa Bay Ski Club excursion planned for September, if it's still available. The truth is, I should make a decision pretty quick while I still have options. The initial plan was for a stag trip for anyone interested, but that is sort of flexible at this point (especially since at least two of my daughters speak Spanish well). We shall see....
Adios,
Sunday, May 10, 2009
The Redbox
It stops my hands from shaking while I wait for football season, and we discovered Redbox. The latter is a DVD vending machine distributed around town that dispenses movies for $1 a night. I first found it out west (Hey, Brant…remember Sleuth?), but it has now migrated to the East Coast and can be found in places like Wal-Mart, Walgreens, McDonalds, etc. I was worried it might put Blockbuster out of business—don’t we all like to have options?—but it looks like that fear was premature. We had a good string of 3 straight movies, but then reality hit. One night the local box was out of order; the next time, all the good movies were checked out; then I ran into a line…the bloom has faded from the rose. And it may just be a $1 per day, but that doesn’t count the time wasted standing at the box looking for a movie that isn’t in, or waiting in line at 8:55 to return one, etc. And I value my time more than that, which is why I’ll probably stay with the Blockbuster Total Access service (mail to/from). Plus, I can keep them as long as I want…and it prevents me from spending too much time watching movies. So, the newness of Redbox did prompt us to see some new stuff, like these:
SEVEN POUNDS-- an odd movie. I tend to gauge how I feel after I watch a movie by how much I was disappointed by it, or surprised by it. It would hard to be disappointed by this one because I didn’t know what to expect, and I was most likely surprised by it, but on the whole it was oddly unsatisfying. It had the same curious feel of Memento—it looks interesting and you know something is going on, but you’re not sure what. It was oddly moving (I cried, yes I admit it, but not sobs) because Will Smith was such a good guy in it. Very cathartic. Ultimately, I would recommend it as art, but not if you’re looking for something upbeat.
THE WRESTLER—this one was a disappointment after all the hype Mickey Rourke got for his performance. The movie was entertaining, in an art-house sort of way, and showed the real world of professional wrestling. But the characters weren’t close to real, nor sympathetic. Mickey’s character was just plain pathetic. The problem I have with his performance, though it was vastly different than the “old” Mickey Rourke of Wild Orchid or Body Heat, or Angel Heart, the character was too close to who he is now to be much of a stretch for him. Not his fault, really, but great acting? Not so much.
CHANGELING—this one reminded me very much of a cross between Gone Baby Gone and L.A. Confidential. Angelina gets to go prequel, having a spin in an asylum before being Interrupted. It stretched credibility to imagine the cops being such bad guys (and idiots) back then, but, hey, I wasn’t there to know, and power corrupts (so they say). Well acted, well directed…a mildly satisfying film, but there are better ways to spend 141 minutes.
TAKEN—despite the media opinions of this film, I thoroughly enjoyed it. A Bourne picture that you can watch without getting seasick! Though the end result might be predictable (why would Hollywood make such a movie and have the hero fail to get his daughter back? Unthinkable) it’s the journey not the destination that counts. It’s a thriller regardless. Some might argue about the amount of suspension of disbelief required for Liam Neeson to be such a one-man wrecking crew, but they forget the stakes. He is going to get his daughter, and anyone who stands in his way is unimportant (and frequently dead). We have probably seen too much Hollywood violence in which the spy/hero merely incapacitates the villains or simply knock someone out. Political correctness…ha! In a life or death situation, I doubt it matters to you if the other guy is crippled for life or dead, so the punishment inflicted can be far more than expected. Liam had the element of surprise and nothing to lose. It is by nature a relatively violent (also referred to as “action-packed”) film that falls down in the personal development moments, but if you want that, there’s Schlinder’s List.
BENJAMIN BUTTON—I was pleasantly surprised by this one, as the hype seemed to exceed the ability to deliver. This is derived from an F. Scott Fitzgerald short story about a man who is born old and "ages backwards," becoming younger as time goes by. (Did FSF know any women who weren't named Daisy?) Aside from the technology to do the aging, which was prodigious and subtle at the same time, the performances of the whole cast were excellent. It was a love story, a coming of age story, a tragedy, all rolled into one; I can see how it wouldn’t have galvanized enough of the Academy to get the BP Oscar (I’m not saying it deserved it) but I would recommend it despite it quirkiness.
IN THE ELECTRIC MIST (with the Confederate Dead)—I can certainly see why they dropped the subtitle from the book that was the source of this movie. The title is odd enough to begin with, but that would have thrown it over the edge. And there are, in fact, dead confederates in the movie. Tommy Lee Jones has several dream/hallucination sequences in which a Confederate General John Bell Hood (played with ethereal dignity and wisdom by Levon Helm). The movie is a cop show whodunit more worthy of an hour on a weeknight than a full movie length, but it has TLJ back in the bayou doing a toned down, laid back Marshall Sam Gerard. John Goodman is miscast as a gumbo godfather, and a subplot involving a movie being made in the swamp is a bit of a distraction. It all works out in the end, as you would expect; I can’t say I would recommend running out and renting this, but if it comes on your cable and you don’t have other plans for about 2 hours, it’s worth a look.Well, that’s the Redbox saga (so far). Having gotten into this, and waiting for Gators to start playing football, I may explore some of the Blockbuster selections in recent months. Also went to two (count ‘em, 2) movies in real theaters. I might do those next simply because they’re more current and topical. The good news is that if you don’t care about my opinion of these films, you can close your browser and go do something productive.
But then, you'd miss the ....(wait for it....) Bumper Sticker of the Month:
Too much Pluribus, not enough Unum.





